Tra queste verdi fronde Number 13 from the same series as Ecco la Primavera. The Alto line goes down to F, so there will be no version involving 3 violins. The Tenor and Bass voices cross their lines a few times, so that a contrabass representation of the Bass line would distort the harmonic structure. This madrigal is so long, that it has taken a few tricks to get it compressed into 3-page playing scores. Despite these disclaimers: This music is absolutely worthwhile. As of 2012 also fully compatible scores for A clarinets and G

daneuph - Sep 3 2013

Sio rido et scherzo Mogens Pedersoen (around 1585-1623). Number 10 from the same collection as Ecco la Primavera. Fully compatible 5-part playing scores in several permutations of clefs and transpositions based on Christian Mondrup's vocal score. Scores for recorders, SSSSB and SSAAA flute choirs, double reeds, Bb and Eb clarinets, saxophones, and brasses plus strings and guitars. As of 2012 also scores for A clarinets and G bugles.

daneuph - Sep 3 2013

Ecco la Primavera Mogens Pedersoen (around 1585-1623). Fully compatible 5-part playing scores in several permutations of clefs and transpositions based on Christian Mondrup's vocal score. Scores for recorders, SSSSB and SSAAA flute choirs, double reeds, Bb and Eb clarinets, saxophones, and brasses plus strings and guitars. As of 2012 new scores for A clarinets and G bugles with minimum 3 valves

daneuph - Sep 2 2013

How to apply these 13 or 14 scores.pdf Tips on the use of these sets of compatible playing scores (really written for the 4-part hymn editions, but the discussions of 8foot versus 4foot choirs and the combination of them also applies here.

daneuph - Sep 2 2013